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• Flush (2020)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2020

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  tradigital animation, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  
  

• Self-portrait (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  narrative film, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Depicting Development Issues: Thematic Trends of Documentary Films of Mindanao-Based Filmmakers

  Author(s):

  NEF T. LUCZON

  Editor(s):

  Jyotirmaya Patnaik (see profile)

  Date:

  2016

  Group(s):

  Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies

  Subject(s):

  Motion pictures, Documentary films--Production and direction, Documentary films--Authorship, Communication, Broadcast journalism, Motion pictures--Production and direction, Motion picture authorship, Phenomenology

  Item Type:

  Article

  Tag(s):

  Mindanao issues, documentary films, development themes, Film, Documentary filmmaking, Cinema, Filmmaking

  
  

• Asphyxia by family: a constructed passage

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Motion pictures--Production and direction, Motion picture authorship, Experimental films, Art

  Item Type:

  Abstract

  Tag(s):

  concept paper, film proposal, asphyxia, experimental cinema, fish tank, Film, Filmmaking, Cinema, Experimental film and video

  
  

• The disorientation of Filipino migrant workers: an audiovisual representation

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Abstract

  Tag(s):

  concept paper, film proposal, disorientation, OFW, Film, Filmmaking, Cinema

  
  

• After hours (2019): shooting script

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Art, Creative writing

  Item Type:

  Other

  Tag(s):

  script, screenplay, Film, Film arts, Filmmaking, Cinema, Film production, Screenwriting

  
  

• Bukid (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  stop-motion, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  
  

• After hours (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• To my beloved (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Documentary

  
  

• Singaw (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Tapon (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Seek (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship, Cinematography, Horror

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Flush (2020): an animation production thesis

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2020

  Subject(s):

  Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Communism, Socialism

  Item Type:

  Thesis

  Tag(s):

  abjection, Animation, capitalism, class struggle, film, Film arts, Filmmaking, labor, Marxism, scatology

  
  

• Introduction: radical documentary today

  Author(s):

  Sarah Hamblin, Ryan Watson (see profile)

  Date:

  2019

  Group(s):

  Film Studies, MS Screen Arts and Culture

  Subject(s):

  Radicalism, Art, Digital media, Motion pictures, History, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Article

  Tag(s):

  Documentary, Radical art, New media, Film history, Filmmaking

  
  

• Directing Actors for Non-Directors: Creative Research Strategies for Fiction Films

  Author(s):

  Edwin Culp (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Production and direction, Motion picture authorship, Acting, Fiction, Editing, Cinematography

  Item Type:

  Book chapter

  Tag(s):

  film directing, directing actors, Arts-based research, Film production, Filmmaking

  
  

• ‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Austen, Jane, 1775-1817, Motion picture authorship

  Item Type:

  Article

  Tag(s):

  Andrew Davies, Adaptation, Jane Austen, Screenwriting

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  
  

• Raymond Carver, John Cheever, and Montana Wildhack on a Cold Winter's Night in Iowa City

  Author(s):

  James Fitzmaurice (see profile)

  Date:

  2017

  Group(s):

  Margaret Cavendish Study Group

  Subject(s):

  Critical theory, Drama, Science fiction, Motion picture authorship

  Item Type:

  Fictional work

  Tag(s):

  Screenwriting

  
  

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