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  • "Local Habitations of A Midsummer Night’s Dream." Shakespeare Bulletin 40.3 (Fall 2022): pp. 417-437.

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2022
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
    Subject(s):
    Shakespeare, William, 1564-1616, Film adaptations, Globalization, Theater, COVID-19 (Disease)
    Item Type:
    Article

  • Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948)

    Author(s):
    Charles L. Leavitt IV (see profile)
    Date:
    2022
    Group(s):
    LLC 20th- and 21st-Century Italian
    Subject(s):
    Holocaust, Jewish (1939-1945) in literature, Theater, Antisemitism, Realism in literature, Fascism, Passion-plays, Prostitution, Drama, Jewish Holocaust (1939-1945), Italian literature
    Item Type:
    Article

  • Review: Gawkers: Art and Audience in Late Nineteenth-Century France

    Author(s):
    Heather Saunders
    Editor(s):
    Megan Macken (see profile) , Terrie Wilson
    Date:
    2022
    Group(s):
    ARLIS/NA Reviews Editors
    Subject(s):
    Nineteenth century, France, Art, Audiences, Theater, Culture
    Item Type:
    Book review
    Tag(s):
    badaud

  • "Transgender Theory and Global Shakespeare," Performing Shakespearean Appropriations Essays in Honor of Christy Desmet, ed. Darlena Ciraulo, Matthew Kozusko, Robert Sawyer (Lanham, MD: Fairleigh Dickinson University Press, 2022), 161-176

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2022
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
    Subject(s):
    Transgender people, Feminism, Theater, Motion pictures, Appropriation (Art), Shakespeare, William, 1564-1616, Globalization
    Item Type:
    Book chapter
    Tag(s):
    Transgender, Film criticism, Adaptation Studies, gender ambiguity, translation and mistranslation, subtitles, feminist film theory, global shakespeare, intercultural theatre

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