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  • Teaching Julia Perry’s Homunculus C.F.

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2022
    Group(s):
    Composers of Color Resource Project, Julia Perry Working Group, Southwest Music Studies Colloquium, Women in American Music
    Subject(s):
    Musicology, Music theory, Composers, Black, Women composers, Minimal music, Serialism (Music), Teaching
    Item Type:
    Book chapter
    Tag(s):
    music, teaching music, women composers, black composers

  • Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)

    Author(s):
    Tekla Babyak (see profile)
    Date:
    2022
    Group(s):
    American Musicological Society, Education and Pedagogy, German Literature and Culture, LLC 19th- and Early-20th-Century German, Society for Music Theory (SMT)
    Subject(s):
    Music, Gender identity, Critical pedagogy, Romanticism in music, Nineteenth century, Germans--Music, Women composers, Musical analysis, Chamber music, Music--Instruction and study
    Item Type:
    Course material or learning objects
    Tag(s):
    Music, Critical Pedagogy, women composers, gender history, Music Aesthetics, German studies, nineteenth century, gender equity, Romanticism, 19th century german

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